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| SUZUKI
METHOD |
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The
Suzuki method, also referred to as the "mother-tongue"
method, differs from traditional methods
of teaching instrumental music because it
involves the students at a very early age,
thus necessitating much participation on
the part of the parent (usually the mother)
in the role of home-teacher. Some of the
basic principles and ingredients of the
Suzuki approach are:
BEGIN
AS EARLY AS POSSIBLE
Dr. Suzuki recommends that ability development
begins at birth. Formal training may begin
at age 2.
MOVE
IN SMALL STEPS
This way, the child may master the material
with a total sense of success, thereby building
his confidence and enthusiasm for learning.
Each child progresses at his own pace.
EITHER
THE MOTHER OR THE FATHER ATTENDS
ALL LESSONS
Therefore, he or she understands the learning
process, and can feel secure when working
with the child as home teacher. To this
end, the parent receives initial instruction
at the lessons in correct playing posture,
home teaching techniques, and all of the
beginning steps including the playing of
a simple piece. The most important single
ingredient for success is the parent's willingness
to devote regular time to work closely with
the child and teacher.
DAILY
LISTENING TO RECORDINGS
Listening to the recordings of the Suzuki
repertoire, as well as good music in general,
is the nucleus of the Suzuki approach. The
more the student listens to his records
and tapes, the more quickly he learns. This
approach derives from the way all normal
children learn to speak their native language.
POSTPONE
MUSIC READING
This is done until the child's aural and
instrumental skills are well established,
just as we teach children to read a leanguage
only after they can speak. This enables
the main focus of the teacher's and student's
attention to be on the sound; beautiful
tone, accurate intonation, and musical phrasing
then become a basic part of the student's
earliest training.
FOLLOW
THE SUZUKI REPERTORY SEQUENCES
This must be done so that each piece becomes
a building block for the careful development
of technique. Equally important is the strong
motivation this standardized repertoire
provides: students want to play what they
hear other students play. Constant repetition
of the old pieces in a student's repertoire
is the secret of the performing ability
of Suzuki students.
CREATE
IN LESSONS AND HOME PRACTICE
AN ENJOYABLE LEARNING ENVIRONMENT
This way, much of the child's motivation
comes from enthusiasm for learning and desire
to please. When working with children, we
should remember Dr. Suzuki's exhortation
that we must come "down to their physical
limitations and up to their sense of wonder
and awe."
SHARED
PRIVATE LESSONS AND GROUP CLASSES
AS VALUABLE AIDS TO MOTIVATION
The child learns from advanced students
and from his peers possibly just as much
as he does from his adult teacher directly.
Children love to do what they see and hear
other children do.
FOSTER
AN ATTITUDE OF COOPERATION
This must be in place of competition among
students. Instead, encourage supportiveness
of each other's accomplishments.
Suzuki
Method
The Suzuki Method involves the parent and
child in learning an instrument together.
The parent attends lesson alone for six
to eight weeks to prepare for his/her role
as home teacher, and subsequently attends
all lessons with the child.
Students
learn at home and in the studio in an atmosphere
of patience, praise, and encouragement.
Lessons can begin at age three or four,
or as late as eight or nine. Daily listening
to recordings of the Suzuki repertoire helps
the student to learn the pieces by ear and
at his own pace. This way the instructor
has more freedom to teach playing with beautiful
tone and phrasing.
Suzuki
lessons include regular review of pieces,
which builds confidence and security in
performing. Music reading is usually introduced
when the student has completed the first
volume of pieces and has a firm grasp of
aural and technical skills. This is comparable
to how a child learns first to speak and
later to read his native language. Thus,
Shinichi Suzuki, who developed this educational
philosophy, calls it mother-tongue learning.
Younger
Suzuki students learn pre-reading concepts
in bi-weekly group classes. Students and
parents are schedule so they can observe
other students' lessons, since children
learn and are motivated by watching their
peers. A non-competitive and supportive
atmosphere is established in these lessons.
Parents
interested in enrolling in Suzuki lessons
observed several lessons and have an orientation
with either their Suzuki teacher or the
school director.
Talent
is not inborn, it is developed in the proper
environment.
- Shinichi Suzuki |